{"id":3803,"date":"2024-07-29T06:26:38","date_gmt":"2024-07-29T09:26:38","guid":{"rendered":"https:\/\/sacatar.org\/artists\/"},"modified":"2026-05-12T10:44:03","modified_gmt":"2026-05-12T13:44:03","slug":"artists","status":"publish","type":"page","link":"https:\/\/sacatar.org\/en\/artists\/","title":{"rendered":"Artists"},"content":{"rendered":"\t\t
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ARTISTS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CURRENT FELLOWS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bahia as the Center of the World: Meet the Artists of Sacatar\u2019s Second Residency Session of 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Many of the artists in this group approach Bahia as a convergence point for traditions, techniques, and forms of knowledge from different parts of the world. Spanning sculpture, textiles, choreography, film, writing, and research, these artists arrive at Sacatar with projects that trace connections between Bahia and places such as Senegal, Japan, Nigeria, the Caribbean, Latin America, and the United States. In doing so, the residents engage Bahia not as an isolated context, but as a territory of historical and contemporary exchange.<\/p>

These artists will be in residence at Sacatar from May 11 to June 29, 2026<\/strong>.<\/p>

Click on any of the images below to see the full article and to learn more about each artist.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00c1lex<\/b> \u00ccgb\u00f3<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual Arts<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Brazil\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00c1lex \u00ccgb\u00f3 is a visual artist from Salvador, Bahia. He began his artistic trajectory through urban interventions, working with printmaking and lambe-lambe <\/em>(wheatpaste posters). His residency at Sacatar is supported by SECULT-BA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Cris<\/b> Rosa<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Literature \/ Research<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Brazil<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cris Rosa is a geographer, writer, and researcher from Bahia. Her research focuses on the shaping of urban space through the interplay of racism, sexism, and capitalism, with an emphasis on the creative and artistic work of Black women.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Fatim<\/b> Soumar\u00e9<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual Arts<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Senegal<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fatim Soumar\u00e9 is a Senegalese visual artist and researcher whose work explores textiles through their materiality, histories, and communities. Her practice fosters real and symbolic encounters among women across Africa. Her residency at Sacatar is supported by SECULT-BA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Marina<\/b> Schneider<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Moving Image<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Brazil\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/section>
Marina Schneider is a Brazilian filmmaker, writer, and founder of Belisa Filmes. Awarded in Portugal and Cuba for screenwriting, she directed <\/span>Raiano<\/em> (2023) and <\/span>Dentro, fora do Brasil<\/em> (2024), exploring gender, sexuality, and territory through magical realism.<\/span><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Rhys<\/b> Dennis<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dance \/ Choreography <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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United Kingdom<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rhys Dennis is a choreographer and performance artist born in London and of Jamaican heritage. His work explores the complexities of Black experience and the evolving relationship between his queer and Afro identities.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Roberto<\/b> Visani<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Roberto Visani is a Brooklyn-based visual artist working across sculpture, drawing, and photography. His practice reinterprets African diaspora archives, examining shifting perceptions of the Black body as subject and object.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Rosanna<\/b> Rios<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rosanna Rios is a Venezuelan visual artist working with textiles and video. Trained in Japan, she combines Japanese and Nigerian dyeing techniques to explore identity, temporality, and contemporary craft through embroidery, drawing, sound, and installation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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PAST FELLOWS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Search our alumni by name, year of residency, discipline, country or partnership.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You can search for Fellows by name (listed alphabetically by first name); Year of residency; Discipline; Country, or; Partnership (in those cases where an artist’s residency was the result of a collaboration between Sacatar and a partner organization).<\/p>

Some artists’ names have the option to be clicked on. This will take you to the full article about that artist, when available.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Name<\/th>Year<\/th>Discipline<\/th>Country<\/th>Partner<\/th>\n<\/tr>\n<\/thead>\n
A. E. Peterson<\/td>2001<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Abhijit\u00a0Gupta<\/td>2005<\/td>Visual Arts <\/td>India<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Adam\u00a0Banks<\/td>2023<\/td>Literature - English<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Adama Delphine Fawundu <\/a><\/td>2025<\/td>Multidisciplinary Arts<\/td>USA<\/td>Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo <\/td>\n<\/tr>\n
Adeyemi Olumegbon<\/td>2003<\/td>Theater<\/td>Nigeria<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Adriana\u00a0Rojas Pretel<\/td>2008<\/td>Circus<\/td>Colombia<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Adriano Machado<\/td>2025<\/td>Photography <\/td>Brazil <\/td>SECULT <\/td>\n<\/tr>\n
Agata\u00a0\"Olek\" Oleksiak<\/td>2009<\/td>Visual Arts <\/td>Poland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Agata\u00a0\"Olek\" Oleksiak<\/td>2015<\/td>Visual Arts <\/td>Poland<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Ahmad\u00a0Mahmoud<\/td>2018<\/td>Moving Image <\/td>Sudan<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Ahmed Umar<\/a><\/td>2024<\/td>Performance<\/td>Sudan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
A-lan\u00a0Holt<\/td>2023<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
A-lan\u00a0Holt<\/a><\/td>2024<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
A-lan\u00a0Holt<\/a><\/td>2025<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Ahn Dae\u00a0Cheon<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Alejandra\u00a0Mu\u00f1oz<\/td>2021<\/td>Curating<\/td>Uruguay<\/td>Sacatar Open Call - Bahia<\/td>\n<\/tr>\n
Alejandro\u00a0Rivas Cottle<\/td>2022<\/td>Music<\/td>Bolivia<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Alex Oliveira<\/td>2025<\/td>Photography<\/td>Brazil<\/td>SECULT<\/td>\n<\/tr>\n
Alexandra\u00a0Pechman<\/td>2018<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Alexandrea\u00a0Henry<\/td>2025<\/td>Sound Art<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Alexey\u00a0Dodsworth<\/td>2021<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Alice\u00a0Miceli<\/td>2011<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Alice\u00a0Miceli<\/td>2016<\/td>Photography<\/td>Brazil<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Aline Motta <\/a><\/td>2025<\/td>Multidisciplinary Arts
\n<\/td>		Brazil<\/td>Year of France in Brazil \u2013 I Am a Black Ocean<\/td>\n<\/tr>\n
Aline\u00a0Xavier<\/td>2019<\/td>Visual Arts <\/td>Brazil<\/td>ArtRIO Prize<\/td>\n<\/tr>\n
amara\u00a0tabor-smith<\/td>2018<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
amara\u00a0tabor-smith<\/td>2023<\/td>Dance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
amara\u00a0tabor-smith<\/a><\/td>2024<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
amara\u00a0tabor-smith<\/a><\/td>2025<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Amy\u00a0\"Catfox\" Campion<\/td>2012<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ana Maria\u00a0S. da Silva<\/td>2004<\/td>Traditional Crafts<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ana Paula\u00a0Hofling<\/td>2016<\/td>Dance<\/td>Brazil<\/td>Dance USA<\/td>\n<\/tr>\n
Ana\u00a0Devora<\/td>2019<\/td>Visual Arts <\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ana\u00a0Teixeira<\/td>2011<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Anaisa\u00a0Franco<\/td>2009 ou 2010<\/td>Visual Arts <\/td>Brazil<\/td>Taipei Artist Village > Taiwan<\/td>\n<\/tr>\n
Anani\u00a0Sanouvi<\/td>2013<\/td>Dance<\/td>Togo<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Andre\u00a0Fischer<\/td>2023<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Andrea\u00a0D'amato<\/td>2023<\/td>Photography<\/td>Brazil<\/td>Sacatar Open Call - Brazil<\/td>\n<\/tr>\n
Andrea\u00a0Mason<\/td>2001<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Andreia\u00a0Pinto Correia<\/td>2006<\/td>Music<\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Andreia\u00a0Wurzer<\/td>2008<\/td>Circus<\/td>Germany<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Andrew\u00a0Mottershead<\/td>2008<\/td>Visual Arts <\/td>UK<\/td>British Council<\/td>\n<\/tr>\n
Aneli\u00a0Munteanu<\/td>2009<\/td>Visual Arts <\/td>Romania<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Angele\u00a0Etoundi Essamba<\/td>2019<\/td>Photography<\/td>Cameroon<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Anindita\u00a0Dutta<\/td>2006<\/td>Visual Arts <\/td>India<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Ann Mary\u00a0Gollifer<\/a><\/td>2024<\/td>Visual Arts <\/td>UK<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Anna\u00a0Murch<\/td>2004<\/td>Visual Arts <\/td>Scotland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Anne\u00a0Fauteux<\/td>2011<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Anthony\u00a0Arrobo<\/td>2014<\/td>Visual Arts <\/td>Ecuador<\/td>Bienal do Mercosul<\/td>\n<\/tr>\n
Ant\u00f4nia\u00a0Cattan<\/td>2023<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
April\u00a0Banks<\/td>2013<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ariel de\u00a0Bigault<\/td>2010<\/td>Moving Image <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ariel de\u00a0Bigault<\/td>2015<\/td>Moving Image <\/td>France<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Aristides\u00a0Guerrero<\/td>2023<\/td>Visual Arts <\/td>Cuba<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Armando\u00a0Martinelli<\/a><\/td>2024<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Artur\u00a0Domoslawski<\/td>2023<\/td>Literature - Other Languages<\/td>Poland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ash Bulayev<\/td>2011<\/td>Visual Arts <\/td>Ukraine<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Aurore\u00a0Marty<\/td>2023<\/td>Visual Arts <\/td>France<\/td>Fondation des Artistes - France<\/td>\n<\/tr>\n
Ayesha\u00a0Attah<\/td>2015<\/td>Literature - English<\/td>Ghana<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Ayesha\u00a0Green<\/td>2023<\/td>Visual Arts <\/td>New Zealand<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ayoade\u00a0Balogun<\/a><\/td>2024<\/td>Visual Arts <\/td>Nigeria<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
B\u00e1rbara\u00a0Cardoso<\/td>2022<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Basir\u00a0Mahmood<\/td>2014<\/td>Moving Image<\/td>Pakistan<\/td>Video Brasil Residency Prize<\/td>\n<\/tr>\n
Be Ward<\/td>2008<\/td>Music<\/td>Australia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bego\u00f1a Feijo\u00f3 Fari\u00f1a<\/td>2019<\/td>Literature - Other Languages<\/td>Spain<\/td>Coincidencia \/ Pro Helvetia<\/td>\n<\/tr>\n
Bel\u00a0Falleiros<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>Centro Cultural S\u00e3o Paulo<\/td>\n<\/tr>\n
Bernadette\u00a0Trench-Thiedman<\/td>2023<\/td>Puppetry<\/td>Australia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bernd\u00a0Lichtenberg<\/td>2006<\/td>Literature - Other Languages<\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Beya\u00a0Gille Gacha<\/a><\/td>2024<\/td>Visual Arts <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bia\u00a0Gayotto<\/td>2018<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Billy\u00a0Keniston<\/td>2013<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bisi\u00a0Silva<\/td>2013<\/td>Curating<\/td>Nigeria<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Brad\u00a0Fox<\/td>2003<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Brenda\u00a0Rios<\/td>2019<\/td>Literature - Other Languages<\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bruce\u00a0Odland<\/td>2017<\/td>Sound Art<\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Bruno Novaes Poli<\/td>2023<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bruno\u00a0Can\u00e7ado<\/td>2015<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Bryn\u00a0Evans<\/a><\/td>2024<\/td>Literature - English<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Caetano\u00a0Almeida<\/td>2004<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Camila\u00a0Greg\u00f3rio<\/td>2022<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Camila\u00a0Sposati<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Candice Lin<\/td>2011<\/td>Visual Arts <\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Cara\u00a0Stacey<\/td>2018<\/td>Music<\/td>South Africa<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Carlos\u00a0Cons<\/td>2003<\/td>Visual Arts <\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carlos\u00a0Estevez<\/td>2003<\/td>Visual Arts <\/td>Cuba<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carlos\u00a0Ferguson<\/td>2001<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carlos\u00a0Zerpa<\/td>2021<\/td>Animation<\/td>Venezuela<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Carol\u00a0Barton<\/td>2001<\/td>Traditional Crafts<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carol\u00a0Rodrigues<\/td>2016<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carol\u00a0Rodrigues<\/td>2018<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Carolyne Wright<\/td>2018<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Cau\u00a0Gomez<\/td>2021<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Ceci\u00a0Alves<\/td>2023<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
C\u00e9cile\u00a0Martin<\/td>2014<\/td>Photography<\/td>Morocco<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Celia\u00a0de Villiers<\/td>2004<\/td>Traditional Crafts<\/td>South Africa<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
C\u00e9sar\u00a0D\u00edaz<\/td>2021<\/td>Animation<\/td>Venezuela<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Chandrahas\u00a0Choudhury<\/td>2017<\/td>Literature - English<\/td>India<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Charbel\u00a0Boutros<\/td>2014<\/td>Visual Arts <\/td>Lebanon<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Charlotte\u00a0McGowan-Griffin<\/td>2003<\/td>Visual Arts <\/td>UK<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Cheryl\u00a0Strayed<\/td>2003<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Chicco\u00a0Assis<\/td>2021<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call - Bahia<\/td>\n<\/tr>\n
Chris\u00a0Burrill<\/td>2002<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Chris Tigra <\/td>2025<\/td>Multidisciplinary Arts<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Chu Fang Shiao<\/td>2010<\/td>Visual Arts <\/td>Taiwan<\/td>Taipei Artist Village<\/td>\n<\/tr>\n
C\u00edntia Guedes<\/a><\/td>2024<\/td>Performance<\/td>Brazil<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Claudia\u00a0Joskowicz<\/td>2012<\/td>Moving Image<\/td>Bolivia<\/td>Moving ImageBrazil Residency Prize<\/td>\n<\/tr>\n
Cleo Parker Robinson<\/a><\/td>2025<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Colby\u00a0Damon<\/td>2015<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Colette\u00a0Fu<\/td>2007<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Cora\u00a0Almerino<\/td>2003<\/td>Literature - Other Languages<\/td>Philippines<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Crislane\u00a0Rosa<\/td>2022<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Cristiane\u00a0Mohallen<\/td>2019<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Cristina\u00a0Lasaitis<\/td>2021<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Cristina\u00a0Meg\u00eda<\/td>2014<\/td>Visual Arts <\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Cristina\u00a0Rascon Castro<\/td>2012<\/td>Literature - Other Languages<\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dagmar\u00a0Binder<\/td>2009<\/td>Traditional Crafts<\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Damien Schumann<\/td>2011<\/td>Photography<\/td>South Africa<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Daniel\u00a0Ganjaman<\/td>2018<\/td>Music<\/td>Brazil<\/td>Sacatar Solo - Baiana System<\/td>\n<\/tr>\n
Daniel\u00a0Gwirtzman<\/td>2003<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Daniel\u00a0Gwirtzman<\/td>2013<\/td>Dance<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Daniel\u00a0Melim<\/td>2013<\/td>Visual Arts <\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Daniela\u00a0Chaparro<\/td>2023<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dany\u00a0Leriche<\/td>2009<\/td>Photography<\/td>France<\/td>Ano da Fran\u00e7a no Brazil<\/td>\n<\/tr>\n
Dany\u00a0Leriche<\/td>2014<\/td>Photography<\/td>France<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Dasha\u00a0Sedova<\/td>2022<\/td>Dance<\/td>Russia<\/td>Artists At Risk<\/td>\n<\/tr>\n
David Poznanter<\/td>2008<\/td>Circus<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dawn\u00a0Stetzel<\/td>2007<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Dazaun Soleyn<\/a><\/td>2024<\/td>Dance<\/td>USA<\/td>Djerassi Resident Artist Program > Brazil<\/td>\n<\/tr>\n
Deanna\u00a0Witkowski<\/td>2018<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Deborah\u00a0Ross<\/td>2019<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Deisiane Barbosa<\/td>2016<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Derek\u00a0Bermel<\/td>2007<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Diana\u00a0Blok<\/td>2003<\/td>Photography<\/td>Uruguay<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Diana\u00a0Blok<\/td>2018<\/td>Visual Arts <\/td>Uruguay<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Diane Barb\u00e9<\/a><\/td>2024<\/td>Sound Art<\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Diego\u00a0Quemada-Diez<\/td>2006<\/td>Moving Image <\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dilara \"Jolly\"\u00a0Begum<\/td>2004<\/td>Visual Arts <\/td>Bangladesh<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dinu Flamand<\/td>2008<\/td>Literature - Other Languages<\/td>Romania<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Dipika\u00a0Mukherjee<\/td>2019<\/td>Literature - English<\/td>India<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Doug\u00a0Hollis<\/td>2004<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
E.J.\u00a0Levy<\/td>2006<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ed\u00a0Holloway<\/td>2021<\/td>Other<\/td>UK<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Ed\u00a0Madden<\/td>2019<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Edmar\u00a0Brazil<\/td>2021<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call - Bahia<\/td>\n<\/tr>\n
Eduardo\u00a0Kac<\/td>2002<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Edward\u00a0Barnes<\/td>2004<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Effat\u00a0Yehia<\/td>2002<\/td>Theater<\/td>Egypt<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Ekedy\u00a0Sinha<\/td>2019<\/td>Literatura - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Ekedy\u00a0Sinha<\/td>2022<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Elida\u00a0Tessler<\/td>2006<\/td>Visual Arts <\/td>Brazil<\/td>South Project > Australia<\/td>\n<\/tr>\n
Elisabeth\u00a0Zwimpfer<\/td>2016<\/td>Animation<\/td>Switzerland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
\u00c9lise Morin<\/a><\/td>2025<\/td>Multidisciplinary Arts<\/td>France<\/td>French Consulate in Recife and Fondation Krajcberg<\/td>\n<\/tr>\n
Elizabeth Senja\u00a0Spackman<\/td>2023<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ellen\u00a0Dore Watson<\/td>2023<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Em\u00edlia Izquierdo<\/td>2023<\/td>Moving Image <\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Emily\u00a0Raboteau<\/td>2003<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Eneida\u00a0Sanches<\/td>2016<\/td>Visual Arts <\/td>Brazil<\/td>FUNARTE - Funda\u00e7\u00e3o Nacional das Artes<\/td>\n<\/tr>\n
Erica\u00a0Connerney<\/td>2018<\/td>Literature - English<\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Erica\u00a0Harris<\/td>2007<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Erick\u00a0Lawrence<\/td>2022<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Erik\u00a0Goengrich<\/td>2007<\/td>Visual Arts <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ernesto\u00a0Diaz<\/td>2012<\/td>Music<\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ersi\u00a0Sotiropoulos<\/td>2006<\/td>Literature - Other Languages<\/td>Greece<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ersi\u00a0Sotiropoulos<\/td>2014<\/td>Literature - Other Languages<\/td>Greece<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Estabrak\u00a0Al-Ansari<\/td>2018<\/td>Visual Arts <\/td>Iran<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ester de Oxum<\/td>2025<\/td>Visual Arts <\/td>Brazil<\/td>SECULT - Secretaria da Cultura da Bahia<\/td>\n<\/tr>\n
Etienne\u00a0Yver<\/td>2009<\/td>Visual Arts <\/td>France<\/td>Ano da Fran\u00e7a no Brazil<\/td>\n<\/tr>\n
Eun Jung\u00a0Choi<\/td>2014<\/td>Dance<\/td>Korea<\/td>Dance USA<\/td>\n<\/tr>\n
Eust\u00e1quio\u00a0Neves<\/td>2014<\/td>Photography<\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Eva\u00a0Davidova<\/a><\/td>2024<\/td>Visual Arts <\/td>Bulgaria<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Eva\u00a0Medin<\/td>2023<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Evan\u00a0Eisenberg<\/td>2006<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Evan\u00a0Eisenberg<\/td>2010<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Fabio\u00a0Duarte<\/td>2016<\/td>Photography<\/td>Brazil<\/td>FUNARTE - Funda\u00e7\u00e3o Nacional das Artes<\/td>\n<\/tr>\n
F\u00e1bio\u00a0Duarte<\/td>2018<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Faith\u00a0Adiele<\/td>2002<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Faith\u00a0Adiele<\/td>2010<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Felipe\u00a0G\u00f3es<\/td>2012<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Felipe\u00a0Lara<\/td>2011<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Felipe\u00a0Pereira Barros<\/td>2011<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Fernanda Costa<\/a><\/td>2024<\/td>Dance<\/td>Brazil<\/td>SECULT - Secretaria da Cultura da Bahia<\/td>\n<\/tr>\n
Filipe\u00a0Bezerra<\/td>2021<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call - Bahia<\/td>\n<\/tr>\n
Filipe\u00a0Cartaxo<\/td>2018<\/td>Music<\/td>Brazil<\/td>Sacatar Solo - Baiana System<\/td>\n<\/tr>\n
Florence\u00a0Neal<\/td>2018<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Fran\u00a0Siegel<\/td>2015<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
France-Luce\u00a0Benson<\/td>2019<\/td>Literature - English<\/td>Haiti<\/td>Djerassi Resident Artist Program > Brazil<\/td>\n<\/tr>\n
Frances\u00a0Peebles<\/td>2003<\/td>Literature - English<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Fran\u00e7ois Dufeil<\/a><\/td>2025<\/td>Visual Arts<\/td>France<\/td>Fondation des Artistes<\/td>\n<\/tr>\n
Fran\u00e7oise\u00a0Choveaux<\/td>2013<\/td>Music<\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Frank\u00a0Day<\/td>2023<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Fred\u00a0Martin<\/td>2013<\/td>Visual Arts <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Fred\u00a0Martin<\/td>2018<\/td>Visual Arts <\/td>France<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Gabriel\u00a0Kram<\/td>2006<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gabriel\u00a0Netto<\/td>2010<\/td>Visual Arts <\/td>Brazil<\/td>Rumos Ita\u00fa Cultural<\/td>\n<\/tr>\n
Gabriela I. Gaia<\/td>2025<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gabriella\u00a0Smith<\/td>2016<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gaio\u00a0Matos<\/td>2010<\/td>Visual Arts <\/td>Brazil<\/td>National Art Studio Korea > Korea<\/td>\n<\/tr>\n
Gary\u00a0Posner<\/td>2009<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gema\u00a0Hoyas Frontera<\/td>2004<\/td>Traditional Crafts<\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gerald\u00a0Cyrus<\/td>2002<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gerald\u00a0Cyrus<\/td>2011<\/td>Photography<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Geralyn Shukwit<\/a><\/td>2024<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Germaine\u00a0Ingram<\/td>2014<\/td>Dance<\/td>USA<\/td>Dance-UP USA<\/td>\n<\/tr>\n
Giovana\u00a0Dantas<\/td>2007<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Giovana\u00a0Dantas<\/td>2010<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Giselle\u00a0Beiguelman<\/td>2014<\/td>Photography<\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Gleb\u00a0Skubachevskiy<\/td>2017<\/td>Visual Arts <\/td>Russia<\/td>Winzavod Center - Russia<\/td>\n<\/tr>\n
Gloria\u00a0Chikaonda<\/a><\/td>2024<\/td>Visual Arts <\/td>Zimbabwe<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Gonzalo\u00a0Velez<\/td>2002<\/td>Literature - Other Languages<\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Gordana\u00a0Hajinovic<\/td>2016<\/td>Photography<\/td>Serbia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Greg\u00a0Beyer<\/td>2004<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Guillaume\u00a0Gourerou<\/td>2023<\/td>Visual Arts <\/td>France<\/td>Fondation des Artistes - France<\/td>\n<\/tr>\n
Guillermo\u00a0Ortega<\/td>2014<\/td>Dance<\/td>Mexico<\/td>Dance USA<\/td>\n<\/tr>\n
Gustavo\u00a0Carvalho<\/td>2014<\/td>Photography<\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Hadia Gana<\/td>2017<\/td>Visual Arts <\/td>Libya<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Hamedine Kane<\/td>2025<\/td>Multidisciplinary Arts<\/td>Maurit\u00e2nia > Senegal<\/td>Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo<\/td>\n<\/tr>\n
Hannah\u00a0Morris<\/td>2008<\/td>Visual Arts <\/td>USA or South Africa<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Helen Salom\u00e3o<\/td>2025<\/td>Multidisciplinary Arts<\/td>Brazil<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Heather\u00a0Boose<\/td>2013<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Heather\u00a0Figi<\/td>2006<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
H\u00e9l\u00e8ne\u00a0Bertin<\/a><\/td>2024<\/td>Visual Arts <\/td>France<\/td>Fondation des Artistes - France<\/td>\n<\/tr>\n
Henrietta\u00a0Mantooth<\/td>2007<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Heo Chang\u00a0Yeol<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Hsiao-Ting\u00a0Hsieh<\/td>2022<\/td>Dance<\/td>Taiwan<\/td>Djerassi Resident Artist Program > Brazil<\/td>\n<\/tr>\n
Hsiao-Wei\u00a0Hsieh<\/td>2022<\/td>Dance<\/td>Taiwan<\/td>Djerassi Resident Artist Program > Brazil<\/td>\n<\/tr>\n
Hugo\u00a0Canuto<\/td>2021<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Hung-Chih\u00a0Peng<\/td>2007<\/td>Visual Arts <\/td>Taiwan<\/td>Taipei Artist Village > Brazil<\/td>\n<\/tr>\n
\u00cdcaro\u00a0Lira<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Ieda\u00a0Oliveira<\/td>2005<\/td>Visual Arts <\/td>Brazil<\/td>Taipei Artist Village > Taiwan<\/td>\n<\/tr>\n
Imran \"Piplu\"\u00a0Hossain<\/td>2004<\/td>Visual Arts <\/td>Bangladesh<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Ines\u00a0Raphaelian<\/td>2003<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Iris Schabert<\/td>2025<\/td>Visual Arts <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Isa\u00a0Trigo<\/td>2018<\/td>Theater<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Isa\u00a0Trigo<\/td>2022<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Isabel\u00a0Ferrand<\/td>2009<\/td>Visual Arts <\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Iva Radivojevnic<\/a><\/td>2024<\/td>Moving Image<\/td>Serbia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ivan\u00a0Juarez<\/td>2012<\/td>Visual Arts <\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ivania\u00a0Kunzler<\/td>2008<\/td>Puppetry<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
J Michael\u00a0Walker<\/td>2011<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
J Michael\u00a0Walker<\/td>2022<\/td>Visual Arts <\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Jaako\u00a0Heikkila<\/td>2008<\/td>Photography<\/td>Finland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jacinta\u00a0Vlach<\/td>2010<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jacinta\u00a0Vlach<\/td>2015<\/td>Dance<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Jacki\u00a0McInnes<\/td>2010<\/td>Visual Arts <\/td>South Africa<\/td>Africa Centre<\/td>\n<\/tr>\n
Jacqueline\u00a0Bouchard<\/td>2007<\/td>Literature - Other Languages<\/td>Canada<\/td>La Chambre Blanche > Brazil<\/td>\n<\/tr>\n
Jamie\u00a0Diamond<\/td>2010<\/td>Literature - English<\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Jamie\u00a0McGhee<\/td>2019<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jamile\u00a0Cazumb\u00e1<\/td>2022<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Jane Ingram\u00a0Allen<\/td>2002<\/td>Traditional Crafts<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jane\u00a0Coffey<\/td>2001<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jane\u00a0Coffey<\/td>2004<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Jane\u00a0Coffey<\/td>2010<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Janine\u00a0Allen<\/td>2002<\/td>Visual Arts <\/td>South Africa<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Janine\u00a0Allen<\/td>2022<\/td>Visual Arts <\/td>South Africa<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Januibe Tejera<\/td>2016<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jared Jackson <\/a><\/td>2025<\/td>Literature<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
J\u00e1'Tovia\u00a0Gary<\/a><\/td>2024<\/td>Moving Image <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jean \"Johnny\"\u00a0Ranger<\/td>2009<\/td>Moving Image<\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jean \"Johnny\"\u00a0Ranger<\/td>2015<\/td>Moving Image<\/td>Canada<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Jean-Marc\u00a0Godes<\/td>2009<\/td>Photography<\/td>France<\/td>Ano da Fran\u00e7a no Brazil<\/td>\n<\/tr>\n
Jean-Michel\u00a0Fickinger<\/td>2014<\/td>Photography<\/td>France<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Jeremy\u00a0Siefer<\/td>2001<\/td>Moving Image <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jessica\u00a0Monette<\/td>2023<\/td>Visual Arts <\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Jessica\u00a0Rimondi<\/td>2017<\/td>Visual Arts <\/td>Italy<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Joan\u00a0Szymko<\/td>2009<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Joanna\u00a0Bator<\/td>2017<\/td>Literature - Other Languages<\/td>Poland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jo\u00e3o do Nascimento<\/a><\/td>2024<\/td>Visual Arts <\/td>Brazil<\/td>SECULT - Bahia<\/td>\n<\/tr>\n
Jo\u00e3o\u00a0Meirelles<\/td>2022<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Joe\u00a0Sam<\/td>2002<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jon\u00a0Taylor<\/td>2007<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Jonah\u00a0King<\/td>2023<\/td>Visual Arts <\/td>Ireland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jonathan\u00a0Pfeffer<\/td>2014<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jonathan\u00a0Pratt<\/td>2011<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jori\u00a0Lewis<\/td>2017<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Joseph Cavalieri<\/td>2017<\/td>Traditional Crafts<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Joseph\u00a0Cavalieri<\/td>2011<\/td>Traditional Crafts<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
JPV<\/td>2010<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
JPV<\/td>2015<\/td>Dance<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Juan \"Erman\"\u00a0Gonzalez<\/td>2006<\/td>Visual Arts <\/td>Cuba<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Juliana Correia <\/a><\/td>2025<\/td>Literature<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Julien Discrit<\/a><\/td>2024<\/td>Visual Arts <\/td>France<\/td>Fondation des Artistes - France<\/td>\n<\/tr>\n
Jun\u00a0Inchul<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Justin\u00a0Shoulder<\/td>2012<\/td>Performance<\/td>Australia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Jyoti\u00a0Mistry<\/td>2012<\/td>Moving Image <\/td>South Africa<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Kang Si\u00a0Nae<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Kara\u00a0Crombie<\/td>2016<\/td>Moving Image<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Karen\u00a0Hampton<\/td>2015<\/td>Visual Arts <\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Karen\u00a0McCarthy Woolf<\/td>2021<\/td>Literature - English<\/td>UK<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Karen\u00a0Ostrom<\/td>2013<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Karen\u00a0Ostrom<\/td>2016<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Karl\u00a0Ciesluk<\/td>2006<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Karlien de Villiers<\/td>2011<\/td>Literature - English<\/td>South Africa<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Karolina\u00a0Karlic<\/td>2014<\/td>Visual Arts <\/td>Poland<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Kato Change<\/td>2017<\/td>Music<\/td>Kenya<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Katrina\u00a0Coombs<\/td>2023<\/td>Visual Arts <\/td>Jamaica<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Keila\u00a0Sankofa<\/a><\/td>2024<\/td>Visual Arts <\/td>Brazil<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Keith\u00a0Lord<\/td>2003<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Kevin (Osceola)\u00a0Ward<\/td>2023<\/td>Literature - English<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Ki Jin\u00a0Park<\/td>2010<\/td>Visual Arts <\/td>Korea<\/td>National Art Studio Korea > Brazil<\/td>\n<\/tr>\n
Kim Seo\u00a0Jin<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Kirnna\u00a0Schaun<\/td>2021<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Kitso\u00a0Lelliott<\/td>2012<\/td>Moving Image <\/td>Botswana<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Kitty\u00a0Paranagu\u00e1<\/td>2023<\/td>Photography<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Kostana\u00a0Banovic<\/td>2006<\/td>Moving Image <\/td>Bosnia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Kristin\u00a0Capp<\/td>2004<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Kubra\u00a0Khademi<\/td>2019<\/td>Visual Arts <\/td>Afghanistan<\/td>Atelier des Artistes en Exil<\/td>\n<\/tr>\n
Ky\u00e9ra Sterling<\/td>2025<\/td>Multidisciplinary Arts<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
La Shawnda\u00a0Crowe-Storm<\/td>2005<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Ladee\u00a0Hubbard<\/td>2017<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Larissa\u00a0Min<\/td>2013<\/td>Literature - English<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Latasha\u00a0Diggs<\/td>2016<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Laura Vandewynckel<\/td>2017<\/td>Moving Image <\/td>Belgium<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Laura\u00a0Andel<\/td>2004<\/td>Music<\/td>Argentina<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Laura\u00a0Gorski<\/td>2019<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Laura\u00a0Vandewynckel<\/td>2022<\/td>Moving Image <\/td>Belgium<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Lauren\u00a0Adams<\/td>2016<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lauri\u00a0Lyons<\/td>2008<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lauri\u00a0Lyons<\/td>2021<\/td>Photography<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Laurie\u00a0Anderson<\/td>2016<\/td>Music<\/td>USA<\/td>Sacatar Solo<\/td>\n<\/tr>\n
Lavonne\u00a0Mueller<\/td>2006<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lee Sang\u00a0Yun<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Lella Heins<\/td>2002<\/td>Literature - English<\/td>Italy<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lesley\u00a0Huppert<\/td>2016<\/td>Visual Arts <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Leticia\u00a0Simoes<\/td>2019<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lia\u00a0Cunha<\/td>2022<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Lia\u00a0Porto<\/td>2023<\/td>Visual Arts <\/td>Argentina<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lilian Hoover<\/a><\/td>2025<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lina\u00a0El-Mounzer<\/td>2014<\/td>Literature - English<\/td>Lebanon<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Linda\u00a0Franke<\/td>2013<\/td>Moving Image <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Linda\u00a0Yudin<\/td>2012<\/td>Dance<\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Lisa\u00a0Beatman<\/td>2005<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Lisette\u00a0Lagnado<\/td>2014<\/td>Curating<\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Liutauras\u00a0Janusaitis<\/td>2014<\/td>Music<\/td>Lithuania<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Long-Bin\u00a0Chen<\/td>2005<\/td>Visual Arts <\/td>Taiwan<\/td>Taipei Artist Village > Brazil<\/td>\n<\/tr>\n
Lorena Ribeiro<\/td>2025<\/td>Multidisciplinary Arts<\/td>Brazil<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Louis Pavageau<\/td>2009<\/td>Visual Arts <\/td>France<\/td>Ano da Fran\u00e7a no Brazil<\/td>\n<\/tr>\n
Louise\u00a0Botkay<\/td>2017<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Louise Mutrel<\/a><\/td>2025<\/td>Photography<\/td>France<\/td>Fondation des Artistes<\/td>\n<\/tr>\n
Luana\u00a0Rocha<\/td>2021<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Lucas\u00a0Ribeiro<\/td>2022<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Luciana\u00a0Magno<\/td>2016<\/td>Visual Arts <\/td>Brazil<\/td>Pr\u00eamio PIPA<\/td>\n<\/tr>\n
Luciany\u00a0Aparecida<\/td>2015<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Lucimar\u00a0Bello<\/td>2011<\/td>Visual Arts <\/td>Brazil<\/td>Bienal do Reconcavo<\/td>\n<\/tr>\n
Lucimar\u00a0Bello<\/td>2019<\/td>Visual Arts <\/td>Brazil<\/td>Djerassi Resident Artist Program > USA<\/td>\n<\/tr>\n
Lucio\u00a0Gregoretti<\/td>2005<\/td>Music<\/td>Italy<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Luis\u00a0Berrios Negron<\/td>2014<\/td>Visual Arts <\/td>Puerto Rico<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Luisa\u00a0Mota<\/td>2014<\/td>Visual Arts <\/td>Portugal<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Luma Nascimento<\/a><\/td>2024<\/td>Visual Arts <\/td>Brazil<\/td>SECULT - Secretaria da Cultura da Bahia<\/td>\n<\/tr>\n
Maarten\u00a0Dirickx<\/td>2022<\/td>Moving Image<\/td>Belgium<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Maggie\u00a0Smith<\/td>2011<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Magnolia\u00a0Wilson<\/td>2013<\/td>Literature - English<\/td>New Zealand<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Maja\u00a0Klaric<\/td>2012<\/td>Literature - Other Languages<\/td>Croatia<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Maja\u00a0Klaric<\/td>2019<\/td>Literature - Other Languages<\/td>Croatia<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Maja\u00a0Klaric<\/td>2023<\/td>Literature - Other Languages<\/td>Croatia<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Makini Jumatatu\u00a0Poe<\/td>2017<\/td>Dance<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mandy\u00a0Morrison<\/td>2019<\/td>Moving Image<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Marcelo N. de Oliveira \"Tchelli\"<\/td>2008<\/td>Puppetry<\/td>Brazil<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Marcelo\u00a0Seco<\/td>2018<\/td>Music<\/td>Brazil<\/td>Sacatar Solo - Baiana System<\/td>\n<\/tr>\n
Marcio\u00a0Harum<\/td>2010<\/td>Curating<\/td>Brazil<\/td>Rumos Ita\u00fa Cultural<\/td>\n<\/tr>\n
M\u00e1rcio\u00a0Junqueira<\/td>2017<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Marcos da Matta
\n<\/a><\/td>		2025<\/td>Visual Arts <\/td>Brazil<\/td>SECULT - Secretaria da Cultura da Bahia<\/td>\n<\/tr>\n
Marcos\u00a0Zacariades<\/td>2007<\/td>Visual Arts <\/td>Brazil<\/td>Taipei Artist Village >Taiwan<\/td>\n<\/tr>\n
Margot\u00a0Liebman<\/td>2004<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Margriet Westerhof<\/td>2023<\/td>Animation<\/td>Netherlands<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Margriet\u00a0Westerhof<\/td>2011<\/td>Animation<\/td>Netherlands<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Margriet\u00a0Westerhof<\/td>2019<\/td>Animation<\/td>Netherlands<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Mari\u00a0Ogihara<\/td>2011<\/td>Traditional Crafts<\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maria Teresa\u00a0Crawford Cabral<\/td>2017<\/td>Visual Arts <\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maria\u00a0Abegunde<\/td>2003<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maria Robalino
\n<\/a><\/td>		2025<\/td>Multidisciplinary Arts<\/td>Ecuador > USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maria-Saroja\u00a0Ponnambalam<\/td>2013<\/td>Moving Image <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mariella\u00a0Santiago<\/a><\/td>2024<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call - Brazil<\/td>\n<\/tr>\n
Marielson\u00a0Carvalho<\/td>2014<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Marija\u00a0Stojnic<\/td>2017<\/td>Moving Image<\/td>Serbia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Marina\u00a0Fokidis<\/td>2019<\/td>Curating<\/td>Greece<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
M\u00e1rio\u00a0Macilau<\/td>2014<\/td>Photography<\/td>Mozambique<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Maristela\u00a0Ribeiro<\/td>2007<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mark\u00a0Steven Greenfield<\/td>2013<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mat Poirot<\/a><\/td>2025<\/td>Music<\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Matheus\u00a0Buranelli<\/td>2019<\/td>Photography<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Matheus\u00a0Buranelli<\/td>2023<\/td>Photography<\/td>Brazil<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Matt\u00a0Sheridan<\/td>2012<\/td>Moving Image<\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Matteo\u00a0Bergamini<\/td>2023<\/td>Literature - Portuguese<\/td>Italy<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Matthew\u00a0Burgess<\/td>2017<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maureen Fleming<\/td>2004<\/td>Dance<\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maureen Fleming<\/td>2016<\/td>Dance<\/td>Japan<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Mauricio\u00a0Adinolfi<\/td>2017<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Maya\u00a0Watanabe<\/td>2012<\/td>Moving Image<\/td>Peru<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Melanie\u00a0Baker<\/td>2003<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Melanie\u00a0Baker<\/td>2022<\/td>Visual Arts <\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Meredith\u00a0Lackey<\/td>2016<\/td>Moving Image <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Michael\u00a0Atavar<\/td>2008<\/td>Visual Arts <\/td>UK<\/td>British Council<\/td>\n<\/tr>\n
Michael\u00a0Lowenthal<\/td>2008<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Michael\u00a0Lowenthal<\/td>2022<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Michael\u00a0Zelehoski<\/td>2015<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Michelle\u00a0Mercer<\/td>2008<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mie\u00a0Preckler<\/td>2008<\/td>Visual Arts <\/td>Belgium<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Mikhael\u00a0Tara Garver<\/td>2018<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Milena\u00a0Travassos<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Mimi\u00a0Cherono Ng'ok<\/td>2013<\/td>Photography<\/td>Kenya<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Minho\u00a0Choi<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Mithu\u00a0Sen<\/td>2006<\/td>Visual Arts <\/td>India<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Mois\u00e9s\u00a0Vit\u00f3rio<\/td>2023<\/td>Music<\/td>Brazil<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Mustafa\u00a0Kia<\/td>2012<\/td>Moving Image <\/td>Iran<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Muthukrishnan\u00a0Ramalingam<\/td>2004<\/td>Visual Arts <\/td>India<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Myronn\u00a0Hardy<\/td>2002<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Myronn\u00a0Hardy<\/td>2022<\/td>Literature - English<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Nana\u00a0Oforiatta Ayim<\/td>2016<\/td>Literature - English<\/td>Ghana<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Nancy Stamatopoulou<\/td>2011<\/td>Dance or Visual Arts<\/td>Greece<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Nathalie Vairac<\/a><\/td>2025<\/td>Multidisciplinary Arts
\n<\/td>		France<\/td>Year of France in Brazil \u2013 I Am a Black Ocean<\/td>\n<\/tr>\n
Nathan Gray<\/td>2008<\/td>Visual Arts <\/td>Australia<\/td>South Project > Brazil<\/td>\n<\/tr>\n
Ndhikumbule\u00a0Ngqinambi<\/td>2010<\/td>Visual Arts <\/td>South Africa<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Neil\u00a0Leonard<\/td>2023<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
N\u00e9le\u00a0Azevedo<\/td>2013<\/td>Visual Arts or Performance<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Nelson\u00a0Maca Gon\u00e7alves<\/td>2022<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Nerize\u00a0Portela<\/td>2013<\/td>Moving Image <\/td>Brazil<\/td>Bienal do Reconcavo<\/td>\n<\/tr>\n
Ngamanya\u00a0Banda<\/td>2005<\/td>Visual Arts <\/td>Zambia<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Nicholas\u00a0Boggs<\/td>2023<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Nicolas\u00a0Testoni<\/td>2008<\/td>Moving Image<\/td>Argentina<\/td>Moving ImageBrazil Residency Prize<\/td>\n<\/tr>\n
Niki\u00a0Passath<\/td>2014<\/td>Visual Arts <\/td>Austria<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Odaraya\u00a0Mello<\/td>2015<\/td>Visual Arts <\/td>Brazil<\/td>EAV Parque Lage<\/td>\n<\/tr>\n
Oksana\u00a0Zabuzhko<\/td>2016<\/td>Literature - Other Languages<\/td>Ukraine<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Okwei\u00a0Odili<\/td>2013<\/td>Music<\/td>Nigeria<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Olaniyi Rasheed\u00a0Akindiya (Akirash)<\/td>2015<\/td>Visual Arts <\/td>Nigeria<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Oluseye Ogunlesi<\/a><\/td>2024<\/td>Visual Arts <\/td>UK<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Omar\u00a0Salom\u00e3o<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Omid Asadi <\/a><\/td>2025<\/td>Visual Arts
\n<\/td>		Iran > UK<\/td>Factory International<\/td>\n<\/tr>\n
Opal\u00a0Palmer Adisa<\/td>2005<\/td>Literature - English<\/td>Jamaica<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Opal\u00a0Palmer Adisa<\/td>2022<\/td>Literature - English<\/td>Jamaica<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Otavio\u00a0Donasci<\/td>2002<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Padma\u00a0Viswanathan<\/td>2003<\/td>Literature - English<\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pamela\u00a0Martinez<\/a><\/td>2024<\/td>Moving Image <\/td>Venezuela<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Paola Barreto<\/a><\/td>2024<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Parisa Karimi<\/td>2011<\/td>Theater<\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pat Oleszko<\/td>2008<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pat\u00a0Oleszko<\/td>2017<\/td>Performance<\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Patricia\u00a0Chao<\/td>2001<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Patr\u00edcio\u00a0Gil Flood<\/td>2022<\/td>Visual Arts <\/td>Argentina<\/td>Pro Helvetia \/ Switzerland<\/td>\n<\/tr>\n
Patrik\u00a0Lerchmuller<\/td>2011<\/td>Music<\/td>Switzerland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Paul\u00a0Roth<\/td>2017<\/td>Curating<\/td>USA<\/td>Sacatar Open Call <\/td>\n<\/tr>\n
Paul\u00a0Roth<\/td>2018<\/td>Curating<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Paulo\u00a0Nazareth<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Paulo\u00a0Nimer Pjota<\/td>2015<\/td>Visual Arts <\/td>Brazil<\/td>Pr\u00eamio PIPA<\/td>\n<\/tr>\n
Paulo\u00a0Teixeira<\/td>2001<\/td>Literature - Portuguese<\/td>Mozambique<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pedro Henrique\u00a0Lemes da Silva<\/td>2017<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Peter\u00a0Mueller<\/td>2002<\/td>Visual Arts <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Petri Kaivanto<\/td>2016<\/td>Music<\/td>Finland<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Philip\u00a0Boehm<\/td>2016<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Philomena\u00a0Bohnenberger<\/td>2006<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pierre\u00a0David<\/td>2022<\/td>Visual Arts <\/td>France<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Pieter Paul\u00a0Pothoven<\/td>2016<\/td>Visual Arts <\/td>Netherlands<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Pieter Paul\u00a0Pothoven<\/td>2018<\/td>Visual Arts <\/td>Netherlands<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Pinar\u00a0Yolacan<\/td>2006<\/td>Photography<\/td>Turkey<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Precious\u00a0Lovell<\/td>2017<\/td>Traditional Crafts<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rae\u00a0Howell<\/td>2009<\/td>Music<\/td>Australia<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Rahul\u00a0Das Ananda<\/td>2008<\/td>Visual Arts <\/td>Bangladesh<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Raminta\u00a0Serksnyte<\/td>2010<\/td>Music<\/td>Lithuania<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Raminta\u00a0Serksnyte<\/td>2018<\/td>Music<\/td>Lithuania<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Rasheed Ali<\/td>2003<\/td>Music<\/td>Puerto Rico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rasoul\u00a0Abbasi<\/td>2010<\/td>Music<\/td>Iran<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Rebecca\u00a0French<\/td>2008<\/td>Visual Arts <\/td>UK<\/td>British Council<\/td>\n<\/tr>\n
Regina\u00a0Machado<\/td>2002<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Renan\u00a0Marcondes<\/td>2017<\/td>Visual Arts <\/td>Brazil<\/td>SP Arte \/ U Belas Artes<\/td>\n<\/tr>\n
Renan\u00a0Vieira Andrade<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Revital\u00a0Falke<\/td>2010<\/td>Visual Arts <\/td>Israel<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Reynold\u00a0Reynolds<\/td>2006<\/td>Moving Image<\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Rigoberto\u00a0Gonzalez<\/td>2002<\/td>Literature - English<\/td>Mexico<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rik\u00a0Freeman<\/td>2011<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rik\u00a0Freeman<\/td>2015<\/td>Visual Arts <\/td>USA<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Rita GT <\/a><\/td>2025<\/td>Visual Arts & Performance<\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rita\u00a0Staszulonok<\/td>2022<\/td>Visual Arts <\/td>Belarus<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Rita\u00a0Staszulonok <\/td>2011<\/td>Visual Arts <\/td>Belarus<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Robert\u00a0Tinning<\/td>2023<\/td>Dance<\/td>Ecuador<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Roberto\u00a0Barreto<\/td>2018<\/td>Music<\/td>Brazil<\/td>Sacatar Solo - Baiana System<\/td>\n<\/tr>\n
Rodrigo Carvalho<\/a><\/td>2024<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rodrigo\u00a0Bueno<\/td>2003<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rodrigo\u00a0Bueno<\/td>2022<\/td>Visual Arts <\/td>Brazil<\/td>Djerassi Resident Artist Program > USA<\/td>\n<\/tr>\n
Rodrigo\u00a0Cass<\/td>2009<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rodrigo\u00a0Matheus<\/td>2014<\/td>Visual Arts <\/td>Brazil<\/td>3\u00aa Bienal da Bahia<\/td>\n<\/tr>\n
Roland\u00a0Cros<\/td>2016<\/td>Visual Arts <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Romy\u00a0Pocztaruk<\/td>2014<\/td>Photography<\/td>Brazil<\/td>Bienal do Mercosul<\/td>\n<\/tr>\n
Ronaldo\u00a0Macedo<\/td>2001<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Roy\u00a0Staab<\/td>2006<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Rukmini\u00a0Callimachi<\/td>2021<\/td>Literature - English<\/td>Romania<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Russo\u00a0Passapusso<\/td>2018<\/td>Music<\/td>Brazil<\/td>Sacatar Solo - Baiana System<\/td>\n<\/tr>\n
Sabrina\u00a0Casas<\/td>2022<\/td>Visual Arts <\/td>Spain<\/td>Pro Helvetia \/ Switzerland<\/td>\n<\/tr>\n
Safira\u00a0Moreira<\/a><\/td>2024<\/td>Moving Image <\/td>Brazil<\/td>Sacatar Open Call - Brazil<\/td>\n<\/tr>\n
Salimata Diop
\n<\/a><\/td>		2025<\/td>Multidisciplinary Arts<\/td>Senegal<\/td>Year of France in Brazil \u2013 I Am a Black Ocean<\/td>\n<\/tr>\n
Sam\u00a0Auinger<\/td>2017<\/td>Sound Art<\/td>Germany<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Sanara\u00a0Rocha<\/td>2022<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Sanara\u00a0Rocha<\/td>2024<\/td>Literature - Portuguese<\/td>Brazil<\/td>Djerassi Resident Artist Program > USA<\/td>\n<\/tr>\n
Sandra\u00a0Brewster<\/td>2017<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sandro\u00a0Abade Pimentel<\/td>2009<\/td>Visual Arts <\/td>Brazil<\/td>Bienal do Reconcavo<\/td>\n<\/tr>\n
Sang-taek\u00a0Oh<\/td>2007<\/td>Photography<\/td>Korea<\/td>National Art Studio Korea > Brazil<\/td>\n<\/tr>\n
Sara\u00a0Roberts<\/td>2018<\/td>Visual Arts <\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Scott\u00a0Barton<\/td>2008<\/td>Culinary Arts<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Scott\u00a0Hocking<\/td>2016<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Scott\u00a0Wallace<\/td>2013<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sean\u00a0Cawelti<\/td>2011<\/td>Theater<\/td>USA<\/td>LA Cultural Affairs<\/td>\n<\/tr>\n
Seon Young\u00a0Uk<\/td>2012<\/td>Dance<\/td>Korea<\/td>Korea Traditional Performing Arts Foundation<\/td>\n<\/tr>\n
Sergio Rodrigo\u00a0Lacerda<\/td>2017<\/td>Music<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sergio\u00a0Alcides<\/td>2004<\/td>Literature - Portuguese<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Seungjae\u00a0Lee<\/td>2017<\/td>Photography<\/td>Korea<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shai Andrade
\n<\/a><\/td>		2025<\/td>Multidisciplinary Arts
\n<\/td>		Brazil<\/td>SECULT and Year of France in Brazil \u2013 I Am a Black Ocean<\/td>\n<\/tr>\n
Shane Book<\/td>2008<\/td>Literature - English<\/td>Peru<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shayan Lotfi<\/td>2025<\/td>Literature<\/td>Iran > USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shelley\u00a0Miller<\/td>2004<\/td>Visual Arts <\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shiau\u00a0Chu Fang<\/td>2010<\/td>Visual Arts <\/td>Taiwan<\/td>Taipei Artist Village > Brazil<\/td>\n<\/tr>\n
Shigeki\u00a0Yoshida<\/td>2013<\/td>Photography<\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shimon\u00a0Attie<\/td>2019<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Shivani\u00a0Manghnani<\/td>2008<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sicelo\u00a0Ziqubu<\/td>2010<\/td>Visual Arts <\/td>South Africa<\/td>Africa Centre<\/td>\n<\/tr>\n
Sidiki\u00a0Conde<\/td>2004<\/td>Music<\/td>Guinea<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sigitas\u00a0Staniunas<\/td>2002<\/td>Visual Arts <\/td>Lithuania<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sigitas\u00a0Staniunas<\/td>2012<\/td>Visual Arts <\/td>Lithuania<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Simone\u00a0Baron<\/td>2023<\/td>Music<\/td>Italy<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Snowden\u00a0Wright<\/a><\/td>2024<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Solange\u00a0Lima<\/td>2005<\/td>Circus<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sook Jin\u00a0Jo<\/td>2001<\/td>Visual Arts <\/td>Korea<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sook Jin\u00a0Jo<\/td>2007<\/td>Visual Arts <\/td>Korea<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sophie D\u2019Souza<\/td>2025<\/td>Multidisciplinary Arts<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Sophie\u00a0Lecomte<\/td>2004<\/td>Visual Arts <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sophie\u00a0Preveyraud<\/td>2009<\/td>Visual Arts <\/td>France<\/td>Ano da Fran\u00e7a no Brazil<\/td>\n<\/tr>\n
Soumer\u00a0Daghistani<\/td>2007<\/td>Theater<\/td>Syria<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Stacey\u00a0Steers<\/td>2006<\/td>Animation<\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Stephanie\u00a0Griffin<\/td>2019<\/td>Music<\/td>Canada<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Stephanie\u00a0Sauer<\/a><\/td>2024<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sue\u00a0Anderson<\/td>2008<\/td>Photography<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sunny Taylor<\/td>2004<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Susana\u00a0Moreira Marques<\/td>2007<\/td>Literature - Portuguese<\/td>Portugal<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Suzanne\u00a0Rivecca<\/td>2017<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Sylvia\u00a0Torti<\/td>2003<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Takuya\u00a0Imahori<\/a><\/td>2024<\/td>Music<\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Tamara\u00a0Guirado<\/td>2004<\/td>Literature - English<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Taroa\u00a0Zu\u00f1iga Silva<\/td>2021<\/td>Animation<\/td>Venezuela<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Tatiele de Souza\u00a0Silva<\/td>2018<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Tendai\u00a0Huchu<\/td>2013<\/td>Literature - English<\/td>Zimbabwe<\/td>Africa Centre - South Africa<\/td>\n<\/tr>\n
Tessa\u00a0Mcwatt<\/td>2023<\/td>Literature - English<\/td>Guyana<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Tiecoura\u00a0N'Daou<\/a><\/td>2024<\/td>Moving Image<\/td>Mali<\/td>SECULT - Bahia<\/td>\n<\/tr>\n
Tim\u00a0Whiten<\/td>2002<\/td>Visual Arts <\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Tiffany Higgins
\n<\/a><\/td>		2025<\/td>Literature<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Tina\u00a0Melo<\/td>2021<\/td>Performance<\/td>Brazil<\/td>Sacatar Open Call - Bahia<\/td>\n<\/tr>\n
Tobias\u00a0Skold<\/a><\/td>2024<\/td>Dance<\/td>Sweden<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Tom\u00a0Correia<\/td>2015<\/td>Literature - Portuguese<\/td>Brazil<\/td>FUNCEB - Bahia<\/td>\n<\/tr>\n
Tomas\u00a0Ribas<\/td>2007<\/td>Visual Arts <\/td>Brazil<\/td>National Art Studio Korea > Korea<\/td>\n<\/tr>\n
Tre\u00a0Lawrence<\/td>2019<\/td>Visual Arts <\/td>USA<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Ueliton\u00a0Santana<\/td>2016<\/td>Visual Arts <\/td>Brazil<\/td>FUNARTE - Funda\u00e7\u00e3o Nacional das Artes<\/td>\n<\/tr>\n
Umniya\u00a0Najer<\/td>2021<\/td>Literature - English<\/td>Sudan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Val\u00a0Souza<\/td>2018<\/td>Dance<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Valentina\u00a0Homem<\/td>2019<\/td>Moving Image<\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Vered\u00a0Sivan<\/td>2011<\/td>Visual Arts <\/td>Israel<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Vicky\u00a0Shukuroglou<\/td>2005<\/td>Visual Arts <\/td>Australia<\/td>South Project > Brazil<\/td>\n<\/tr>\n
Victoria\u00a0Adukwei Bulley<\/td>2018<\/td>Literature - English<\/td>UK<\/td>People's Palace Projects \/ AiR B2B<\/td>\n<\/tr>\n
Victoria\u00a0Idongesit Udondian<\/td>2018<\/td>Visual Arts <\/td>Nigeria<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Viga Gordilho<\/td>2004<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Vilma\u00a0Samulionyte<\/td>2013<\/td>Photography<\/td>Lithuania<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Vilma\u00a0Samulionyte<\/td>2017<\/td>Photography<\/td>Lithuania<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Vince\u00a0Agustinovich<\/td>2003<\/td>Music<\/td>USA<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Virgilio\u00a0Abreu Neto<\/td>2016<\/td>Visual Arts <\/td>Brazil<\/td>FUNARTE - Funda\u00e7\u00e3o Nacional das Artes<\/td>\n<\/tr>\n
Virginia\u00a0Medeiros<\/td>2007<\/td>Moving Image <\/td>Brazil<\/td>La Chambre Blanche > Canada<\/td>\n<\/tr>\n
Virus Carinhoso <\/a><\/td>2025<\/td>Performance<\/td>Brazil<\/td>SECULT - Bahia<\/td>\n<\/tr>\n
Walmor\u00a0Correa<\/td>2007<\/td>Visual Arts <\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
William\u00a0Wilson<\/td>2013<\/td>Visual Arts <\/td>France<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Wilson\u00a0Sukorski<\/td>2002<\/td>Music<\/td>Brazil<\/td>Sacatar Invited Artist<\/td>\n<\/tr>\n
Xavier (Xavi)\u00a0Burgos<\/td>2023<\/td>Performance<\/td>USA<\/td>IDA - Stanford University<\/td>\n<\/tr>\n
Xavier Marrades<\/td>2017<\/td>Moving Image <\/td>Spain<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Yoko\u00a0Inoue<\/td>2011<\/td>Visual Arts <\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Yumi\u00a0Kori<\/td>2008<\/td>Visual Arts <\/td>Japan<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Yumi\u00a0Kori<\/td>2022<\/td>Visual Arts <\/td>Japan<\/td>Sacatar Returning Fellow<\/td>\n<\/tr>\n
Zach\u00a0Mokrani<\/td>2021<\/td>Music<\/td>UK<\/td>Sacatar Open Call - Group Projects<\/td>\n<\/tr>\n
Zahra\u00a0Beigi<\/td>2009<\/td>Visual Arts <\/td>Iran<\/td>UNESCO\/Aschberg<\/td>\n<\/tr>\n
Zohra\u00a0Opoku<\/td>2016<\/td>Visual Arts <\/td>Germany<\/td>Sacatar Open Call<\/td>\n<\/tr>\n
Zoltan\u00a0Molnar<\/td>2008<\/td>Photography<\/td>Hungary<\/td>Sacatar Open Call<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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LATEST VIDEOS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Check out interviews with artists, coverage of events, and more!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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36th S\u00e3o Paulo Bienal\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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(Partnership<\/strong> | Artist residency program at the Instituto Sacatar)<\/span><\/span><\/p>

Short film about the participation of Hamedine Kane<\/strong> and Adama Delphine Fawundu<\/strong>, artists from the 36th Bienal de S\u00e3o Paulo \u2013 Not All Travellers Walk Roads \u2013 Of Humanity as Practice, in an artist’s residency at the Instituto Sacatar, on Itaparica Island, in Bahia. Founded in 2001, the Instituto Sacatar is the oldest continuously operating artist residency in Brazil. Since its creation, Sacatar has granted completely free residencies to more than 550 artists from all artistic disciplines, from more than 75 countries.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Film credit: Duma – Hub for Creative Innovation \/ Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Interview with Oluseye Ogunlesi\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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(Oluseye Ogunlesi<\/strong> | Sacatar Fellow 2024 | Visual Arts | Nigeria > Canada)<\/span><\/p>

Oluseye is a Nigerian-Canadian artist. Using \u201cdiasporic debris\u201d \u2014 a term he coined to describe the artifacts, discarded materials, and found objects he collects from his trans-Atlantic travels \u2014 he explores Black being across themes. These transformational objects are recast into sculpture, performance, and photography, invoking Oluseye\u2019s personal narratives and travels within a broader examination of Black Diasporic culture, migration, and African spiritual traditions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Film credit: DUMA Est\u00fadio Criativo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Interview with Luma Nascimento\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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(Luma Nascimento<\/b> | Sacatar Fellow 2024 | Multidisciplinary Arts | Brazil)<\/span><\/p>

Multidisciplinary artist Luma Nascimento shares her journey working with beads, exploring their historical and spiritual dimensions through Lemori\u00f4 \u2013 Il\u00ea de Mi\u00e7angas<\/em>. Her work weaves connections between aesthetics, memory, and Afro-Brazilian cultural traditions. Her participation was supported by the Fundo de Cultura para A\u00e7\u00f5es Continuadas da Secretaria de Cultura do Estado da Bahia.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Film credit: DUMA Est\u00fadio Criativo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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GET SACATAR NEWS<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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